Closed: Technique Slow Scrap | 12.28 - 9pm EST

bellbird

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Hi and Welcome to the last Technique Slow Scrap of 2017!
We will be discussing the benefits and some of the many ways to achieve Black and White photos today, and will be using a Black and White photo for our slow scrap page (steps to come, feel free to join us in the Chat room)
Capture-chat.JPG
 
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Why Black and White (B&W)?
There are many reasons you might want to convert a colour photo to B&W.
- If you want to use a specific kit but the colours clash with your photo (it's quicker than recolouring the whole kit!)
- If the colours in the photo itself clash and hurts your eyes!
- If you want to remove distracting colours to allow more detail to be seen
- If you are preparing a photo for selective colouring or for colorising (like sepia)
The photo I've used for the conversion screenshots today has the colour clash problem within the photo (red, purple,pink, brown!) and I think the colour clashing detracts from the detail and the fact that she's sleeping in bed 'upside down'.
Capture-orig.JPG

Method 1. 100% Desaturation

This has been traditionally one of the quickest ways to get, effectively a grayscale photo. In Photoshop the Saturation slider can be found in both the Hue/Saturation and Vibrance options. To find it in Photoshop, go to Layers > New Adjustment Layer > Vibrance (or Hue Saturation) ** PSE users see below. Then you just move the saturation slider as far to the left as it can go (in this case -100)
Capture-pic4-0satNocurvesNolevels -2.JPG

Method 1a. 100% Desaturation with Curves and Levels Adjustments

To give a better result with this Desaturation method, we can prepare the photo a little first, using Curves and Levels can help it. Personally, I like this better, it is more B&W than just grey. (Using a Brightness/Contrast layer and slider will have similar but less refined effects).
To do this I added Curves and Levels adjustment layers from the Layers menu in Photoshop.

Capture-pic1-1a.JPG

Just clicking and dragging the pointer circled in the graph in the above screenshot to where it is in the next screenshot makes a big difference
Capture-pic2-2a.JPG

Adding a Curves layer lets you be more detailed in your adjustments (you can drag the default diagonal line in as many directions and from as many places on the line as you want). Generally, making a letter 'S' shaped curve improves the photo.
Capture-pic3-curvesS-2a.JPG

So at this point, you can ad your Saturation layer, drag it to -100 like we first mentioned and have a more B&W rather than Grayscale photo.
Capture-1vs1a.JPG

** for PSE13 and above users, this describes steps for adding adjustment layers including Levels and Curves http://www.informit.com/articles/article.aspx?p=2298391&seqNum=5
**** there are many methods of B&W conversion - this article has screen shots for GIMP

https://www.gimp.org/tutorials/Digital_Black_and_White_Conversion/

Method 2. Using 2 Hue Saturation Layers

This method works as long as one of the layers is in color mode and one in normal mode.

(Note: I'm using the original photo again to start with, no levels, no curves).
Create a Hue/Saturation Adjustment layer (Layers > New Adjustment Layer > Hue Saturation) Set the saturation slider to -100%. You're done with that layer.

Now underneath that first adjustment layer create a second Hue/Saturation adjustment layer. Set this layer/blend mode to Color Mode. Now while watching your photo, move the Hue slider and watch how it changes your image. Once you find a look you like, you can use the Saturation slider to control the intensity of the filter effect.
Capture-pic-huesatX2a-2a.JPG
Capture-pic-huesatX2-aaa.JPG
The sheets where I marked with a star shows some of the significant difference this Method can have. You can boost it by using the Levels and Curves adjustments like in Method 1a. This can work in any program you use layers, blend modes and can control Hue & Saturation in.

Method 3:
There are also plenty of apps and actions that can convert photos to B&W for you.
Presets in Lightroom like these by Sabrina Dupre also show you the range of B&W available, where whites can range from cold greys to warm cream colours and blacks can be any of a range of dark colours from charcoal to super dark navy or chocolate hues.


For today's Slow Scrap - use any method you prefer to create a B&W photo!

Method 4: Channel Mixer
As a bonus, and because I saw this mentioned in the GIMP info and because it's again fairly easy I'm just quickly mentioning the Channel Mixer as an alternate adjustment layer (it's like using the Hue/Sat sliders in Color blend mode). Using a 'Black and White' adjustment layer in Photoshop (which really should be an obvious method to mention here) brings up a similar menu panel to the Channel Mixer.

The main thing to remember here is to 'check' or 'tick' the 'Monochrome' box and then play with the sliders until you find the balance that works for your photo!
Capture-pic4-channel-1a.JPG

Capture-pic4-channel-2a.JPG

 
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(still ading in B&W info above but if you are scrapping....)

Slow Scrap Steps:

1.
Convert a photo to B&W using any method.

2.
Use a patterned paper for the background. Place the photo anywhere on the page but it should be fairly big (around 4x6 inches). Add a frame or border around the B&W photo.

3. Use 2 wordarts (1 above and 1 below your photo (One of these can be your title).

4. Use at least 1 paper shape as an embellishment (this can be anything from a rectangle of paper, a paper heart shape from an element pack, to a complicated shape you cut out by hand. In my example, I have a silhouette of a person and cloud shapes that are 'cut' from paper)

5. Add some paint and/or a scatter of some sort to your page. (The scatter could be confetti,a bead or sequin spill etc)

6. Add at least 2 circle elements

7. Finish off with a date, shadows, any journalling you want to include and save it to upload to the Speed Scrap gallery. Don't forget to then paste the BB code link for your page in this thread
so I can comment and make sure you get the coupon code prize!

(it's a 24 hour deadline!)

So this is the page I made with the Method 1a. B&W conversion - looking forward to seeing yours!
 
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Great tips and fun layout. I cut the frame and green rectangle from 2 papers plus added more paint. Here's mine:
 
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I used method 2 to change photo to b & w. My shape is a long skinny rectangle (to mimic a ribbon strip) and I used both paint and confetti (just got carried away). My two circle elements are the flairs (used the same one twice because I liked it so much).
 
Love playing with B and W photos - thanks for the scrap! (sorry the subject matter is a bit sad...)
 
I never knew about the Channel Mixer before, thanks for the tip! I used a combo of that and the Levels to make my B&W photo.
 
Commented to here - will be sending out coupons after the deadline passes (this ends at 10pm EST 29 Dec)
 
Thanks for posting the information here - joined in and then life got in the way. Loved all the information about black and white conversions - I used the 2 hue and saturation layers technique (PSE 11 so no curves layers for me) - it was interesting how playing with the sliders affected the texture in the floor of the photo.

 
I am so sorry I missed the chat. I had good intentions, but I fell asleep on the recliner (still dealing with the after effects of a big-time cold) and woke up 10 minutes before the chat ended. Was too groggy to do much of anything other than go back to sleep.

Thanks for the info on the b&w conversions. I used the channel mixer here.
 

I was in dreamland when you chatted, but here is my page.
My two circle elements are the paper behind the flower and the wood slice. My one paper embellishment is the star (one straight from the kit, and the other with a paper clipped on it).
 
Thanks for the slow scrap! I am excited I got to do this one. I used the Gradient Map in PSE9 to convert my picture to black & white. Birdie is not amused. She is so funny!
 
Thank you for the chat, it worked really well for this photo, since it was dark when they hung the flowers round my uncle and Aunts door, Ready for next days golden wedding... but with the sliders I could make the contrast sharper.Oh and the circle element is the circled sequence on top of the paint !
 
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